When it comes to relationships, at times it’s difficult to determine whose advice to take to heart and whose to ignore. While I don’t consider myself an authority on the subject, I don’t think I’ll meet much resistance when I say that romantic comedies are not a fount of realistic or wise counsel.
Case in point: “Four Weddings and a Funeral.” The film was a major hit when it premiered in 1994; it was the highest-grossing British film to that point and received warm praise from critics. The story is set in England
and follows a set of seven or eight single friends as they attend weddings and funerals. Among them is charmingly awkward and bumbling Charles, played by Hugh Grant.
At the first wedding, Charles meets a beautiful American woman named Carrie, played by Andie McDowell. The pair spend the night together, after which she returns home to America
. They are intimate a few other times, even after she becomes engaged to another man. I’ll spare you a full plot synopsis, but when the two get around to discussing their sexual history, Charles reveals that he has had relations with several women. This, however, is nothing to Carrie’s admitted 33 sexual conquests.
The film ends on Charles’s wedding day. Carrie is in attendance and we find she is already separated from her husband. Charles abandons his bride at the altar and asks Carrie, “Do you think…you might agree not to marry me? And do you think not being married to me might maybe be something you could consider doing for the rest of your life?” Carrie responds, “I do.” The film ends in a montage of happy photos, including a shot of Charles, Carrie, and a baby boy.
What the plot of “Four Weddings” implies is that it’s possible to have dozens of sexual liaisons without slowly destroying your ability to have a healthy relationship. Carrie is physically intimate with 33 men over the course of her lifetime (as far as we can tell), but this isn’t portrayed as detrimental to her ability to settle down with the right man.
Unfortunately, reality is grimmer than the movies. The charts at this link
—based on a large data sample in the 1995 National Survey of Family Growth—depict a woman’s likelihood to be in a stable marriage five years to ten years after her wedding day. Though Carrie and Charles do not actually marry, the lesson is clear: one’s statistical likelihood of enjoying a stable relationship without committing to sexual purity is hardly as rosy as “Four Weddings” represents it.
The second falsehood is the film’s assertion that cohabitation is the functional equivalent of marriage. If one’s odds of marital stability after a lifetime of promiscuity are bleak, consider that cohabiting relationships last around one year in the United States
—even in France, Britain
’s neighbor, the average cohabitation lasts only four years.
Lastly, Carrie and Charles have a baby. If unmarried cohabitation is not the lifetime of personally defined bliss that they expect it will be, she will likely end up a single mother. This family structure brings with it all sorts of difficulties, but the long and short of them is that children raised in single-mother homes have to grapple with obstacles that children born into intact, married families struggle with less.
What do you think? Do you think Carrie and Charles really live happily ever after, or do they fall in line with the trends above once the cameras quit rolling?
Patrick Heuveline and Jeffrey Timberlake, “The Role of Cohabitation in Family Formation: The United States in Comparative Perspective,” Journal of Marriage and the Family
66, no. 5 (2004): 1223.